This week, a news article was
written on a new Lincoln exhibit that just
opened at the Lehigh
Valley Heritage
Museum . This museum did
not reveal a “traditional” or “old school” exhibit, however. Instead, this
display focuses on the “image” of Lincoln .
This theme not only revolves around Abraham Lincoln’s noticeably aging and
changing features over time, but also his perceived professional and political
image during his own life and after his death. The main pride and joy of the
exhibit, though, is a specially made movie. It is a short, continuously looping
film that introduces the museum visitors to Lincoln and his place in American history.
The writer of this article, Steve Siegal, particularly emphasizes the
theatricality and dramatic air the movie conveys. It is so much so, in fact,
that Siegel says it follows in the footsteps of Spielburg’s Lincoln and other professional historical
movies. This continuous bombardment of Lincoln
images continues throughout the exhibit with a large statuary, plaster-of-paris
casts, original Harper’s Weekly magazines, medallions, stamps, and even five
dollar bills. Supposedly, it invites the viewer to see just how there are
nearly an infinite amount of different ways that Lincoln has been depicted to the public.
To me, the description of this
museum was awfully reminiscent of the topics discussed in Andrew Ferguson’s Land of Lincoln. In the book, Ferguson asserts that it is essentially impossible to
pin-point the true or original Lincoln ,
due to his pervasiveness in both past and modern society. Everyone has their
own personal Lincoln
that they either revere or despise. The exhibit at Lehigh, which possesses over
a thousand images of Lincoln
in a single space, shows exactly this. Also, Ferguson noted that museums are becoming increasingly
interactive and technology-laden. The emphasis of a new movie and a conspicuous
absence of word plaques at Lehigh portray this continuing transition. So, in a
way, the new exhibit at the Lehigh
Valley Heritage
Museum is an example of a
trend in Museums in the modern era.
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